Hot Rod Alley
My Little Hot Rod / 409 Woodie / Chrome Machine / Pealin' Out / Green Machine / Me and My Model A / Little Black Coupe / Stripped / Stroker / The Pursuit
Jerry Kole & the Strokers
// 1963 on Crown Records (CST 385/CLP 5385)
5.0
Album Review:
Jerry Cole was a session guitarist who played on hundreds of Terry Melcher, Gary Usher, Brian Wilson, and Phil Spector records. As well he also had a bit of a solo career himself, cutting a few budget albums for Crown Records here and there. After receiving payment for a certain number of surf, country, and easy-listening albums, it seems Cole would then write about 10 songs for each and record them as cheaply as possible (without overdubs or backing vocals). While the compositions are actually all that bad, the lack of vocal production and polish means these tunes often
end up sounding alike. Additionally, the quality of Cole's voice doesn't help to rectify this predicament, and Hot Rod Alley is no exception to the rule.
The album begins with 'My Little Hot Rod', which actually features some backing vocals - a rare edition for Cole's budget output. '409 Woodie' is a little more interesting, though ultimately stalls at the light. The rushed, low-fi production of 'Chrome Machine' actually highlights some of Cole's best guitar playing. 'Pealin' Out' is a rewrite of Cole's own 'T-Roadster Rock' from Hot Rod Dance Party. 'Green Monster' is another nice instrumental track with some sparse instrumentation. Side two is the best part of the album as it's mostly filled with crazy guitar-driven instrumental numbers. The initial track though, 'Me and My Model A,' suffers from a noticeable lack of backing vocals - especially in the chorus, which seems to have been written with them in mind. 'Little Black Coupe' feels unfinished. It does, however, finally feature some backing vocals. 'Stripped Gears' is a recording of another Dance Party number, 'Boss Dance.' The two final songs, 'Stroker' and 'The Pursuit,' offer a little more originality and sit comfortably with their limitations but ultimately get left in the dust.
Not the most memorable album ever, the Strokers' Hot Rod Alley is at its best when Cole steps away from the mic. Perhaps this one's of best use when it's displayed on your wall. I mean - the cover may just be the best thing about this release.
CHOICE CUTS:
Chrome Machine / Pealin' / Stripped Gears / Green Monster / 409 Woodie / My Little Hot Rod